Theobald Boehm: Grande Polonaise for flute and piano, Op 16 – Play streams in full or download MP3 from Classical Archives (), the. Work Title, Polonaise for Flute and Piano, Op Alternative. Title, Grande Polonaise pour la Flûte avec accompagnement de Pianoforte. Œuvre Composer. Sheet Music for Flute & Piano (A-B) by Boehm, T, Grand Polonaise Op. 16, Published: Gerard Billaudot [GB], Editor: Heriche, Robert, Not Applicable.

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The second movement as a Scherzo is in the form of a ‘beseda’, a national Czech dance, which as its main element uses a ‘furiant’ tempo. Given this success, it is perhaps surprising that only a handful of his works are well known today.

Jupiter Silkweave Microfiber Cloth. These are demanding works, both in terms of duration many of them are over ten minutes long and technique, and are stylistically aligned with the salon music that was popular at the time. He also invented a telescope for locating fires in Neutral air, air at a prescribed pitch, flutter tongue which becomes air and air that becomes normal sound are among the different possibilities.

Camus is a very popular player of the flute in Paris [ Indications as ‘esitante’, ‘scherzando’ impose a rhetorical character on some passages. The opus 26 Caprices are now staples of the repertoire and provide excellent material for developing even finger work in each key.

First published inthey have been made available in numerous editions around the world. This huge cultural palace, that burned down in and made way for the present Dutch Bank DNBwas for a long time, along with Felix Meritus, Amsterdam’s most significant centre of music, despite its infamously poor acoustics.

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And the instrument was indeed known as this. George Schoeman, for instance, performed it with the Orchestra of the Paleis voor Volksvlijt, under the composer’s baton. Erwin Schulhoff, Schriften, pp.

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The concerto comprises three movements which merge into gfand other. Opus 37, a set of 24 Etudes for flute and piano, is the last of the works to have been given an opus number, and was written inthe year Boehm invented the alto flute.

Carla Ree s is a British low flutes specialist who has gained an international reputation for her innovative work. He was regarded as one of the best flute players in Germany and enjoyed a successful career which took him on tours throughout Europe. Petrassi’s atonal language interrupted regularly by the ‘forbidden material’ of the chromatic scale forms gestures rather than phrases.

He polonaisee his debut as bassoonist in the Hofkapel in The Hague, later to become the conductor of the Orchestra of the Paleis fluts Volksvlijt on the Frederiksplein in Amsterdam. However, a surge in interest in virtuoso Romantic repertoire, combined with the release of the complete Boehm edition means that the works are once more available to be explored by the current generation of flute players. Opus become all the more spectacular once it becomes known that they were written for the simple system conical wood flute.

Yamaha Plastic Flute Cleaning Rod. It is assumed that the inspiration for this work was the World Exhibition held in in Paris, at which cultures from around the world had a pavilion.

George Enescu – Cantabile et Presto for flute and piano Cantabile et Presto for flute and piano by the Rumanian composer George Enescu may make just claim to being French music.

Boehm Grand Polonaise Flute Part PDF

Two of these studies number 2 and 11 also exist in arrangements made for the alto. Brahms’ imprint is especially recognizable in the last movement, which is influenced by his Hungarian Dances.

It was first performed by the well-known flutist Herman van Boom, to whom the piece was dedicated. Required competition music lists, sign-ups and more information can be found at Texas Flute All Star.

No maker of oboes, clarinets or bassoons had been honoured in this way. His model flute had a conical bore and ring keys, while the model returned to a cylindrical bore with a tapered heard joint, and had flufe acoustical positions for the tone holes. These were written in when the new flute was in development, and it is thought that Boehm composed the works for his students to help them adapt to the new fingering system.


The obvious aim of such is that the performer is given the opportunity of demonstrating the expressiveness of tone in the first movement and in the second his finger dexterity and articulation.

Program notes

The piece gained immediate popularity in the first half of the grwnd century. There is more evidence of chromaticism, and more challenging key signatures also appear; for example, the introduction of the Variations on a waltz by Schubert op 21, polonais in begins with a key signature of seven flats, before moving to B major.

The short Romantic work, La Serenata, for flute and piano or orchestraenjoyed great popularity in the nineteenth century. Having left his homeland at seven to study the violin and piano in Vienna, Enescu went to Paris in to continue his musical education.

The use of the oboe d’amore is in this context by no means coincidental. In Munich he had played during three performances by Paganini in and from all his cultural tours, which included Austria, Northern Italy, England and France, he became familiar with the ingredients to be used for a successful performance. There are also differences between the two versions with regard to articulations.

Here the piano part, richly laden with Alberti basses, serves principally as accompaniment.